Authors Respond To The Rise of AI

Sim Alec Sansford

Joining the discussion of the impact on AI in creative writing, this week we have YA author Sim Alec Sansford giving his views on the topic.

1- Do you currently use any form of AI to enhance or improve your books and if so how do you feel it makes your writing better?

Personally, I don’t use any form of AI when it comes to the creation or publication of my books. Save for the trusty spell checker that may catch the odd word or grammatical error for me that has slipped through the net (although this is not always accurate).

2. How do you feel about AI in the creative industries in general, eg art, writing, music, are you in support or are you against? Tell us why.

Whilst I agree that AI has its benefits, I strongly believe that it has little to no place within the Arts. The composition of music, the power of prose, and even the allure of artwork may well be enhanced by AI’s capabilities… However, I think we need to make a distinction between (for example) writing and CREATIVE writing. To me creativity is human creation and its purest form. To tweak or manipulate it means it is no longer a creative piece at all.

3. How often are you coming across AI content on the internet now and are you usually able to spot it?

Sadly, the majority of AI content I am discovering online is art based. Book covers and graphics created within a few simple clicks. Whilst this is cost-effective, and helps to inspire and add flare to a piece of work, I can’t help but feel for all my amazingly artistic friends (some of which have studied for many years to perfect their craft). What will they do once AI has dominated their spaces?

4. Do you know of any creatives who have already lost their job or seen their earnings decline thanks to AI?

Personally, I have not come across this yet. Though I would imagine a high number of graphic designers and cover artists are losing out on many opportunities and commissions due to the sheer availability of AI content.

5. Copy writers and translators are just two professions that have seen their earnings decline as companies switch to using AI. Who do you think will be next and is there anything we can do to stop it?

Sadly I think a lot of voice over artists are going to be losing out on work due to the many apps available now. I must confess that some of the AI voices I’ve heard reading my articles aloud, particularly over on Medium, sound incredible. Though I would never use AI to narrate a book I’d published. To do so would be a huge slap in the face to the many talented actors.

I also believe that motion captured actors and video game designers may experience challenges within their industry. A lot of their work can so easily be generated now within a few clicks, and they are already using people’s likeness within film, particularly for actors who have since passed away.

6. What are your gut feelings about AI in creative writing? Are you curious and excited by the possibilities, or do you think it spells the death knell for creativity and imagination?

Unfortunately, although AI can be harnessed to finesse work to a certain degree, the way a filter can sharpen a photograph, I believe its presence within any creative space only spells death.

Just like the filtered photo, AI altered writing is fake, it’s not the real thing.

7. Would you personally read AI content if you knew it was AI or do you aim to only read books written by humans without the aid of AI?

Whilst I am sure there are many entertaining stories that have been generated by AI; I much prefer to indulge in work created by human minds.

8. Where do you think AI will be in another 5, 10 years time?

It is my hope that within the next decade, AI will be policed to a greater standard. Currently it feels like its development is snowballing faster than anyone can control. I fear that if we cannot get a handle on it any time soon, AI will eventually rule all of our media. Particularly in the creative industry, and that terrifies me.

Links for Sim Alec Sansford

www.SimAlecSansford.com

Instagram.com/SimAlecSansfordAuthor

Facebook.com/SimAlecSansford

Medium

BlueSky

Substack

Thanks for doing this Sim, and thanks to everyone for reading, sharing, and supporting the discussion!

The Mess of Us — Q&A with Chantelle Atkins

Today we’re joined by Award-Winning author, Chantelle Atkins, to discuss her latest release, The Mess of Us. A gripping sequel to her 2016 novel, The Mess of Me, this book dives back into the world of Joe and Lou and these of identity and resilience… Let’s get started!

The Mess of Me was a huge success, what inspired you to return to this story after a decade?

A. A sequel was in the pipeline years ago. I had always wondered what happened next to Lou and Joe. The first book ends with a sort of happy ending, but with lots of questions about what would happen after the dramatic and violent events of that book. A few years back I started writing the sequel when I got the idea of a teenage pregnancy. I was fascinated with how they would both cope with that on top of recovering from the events of the first book. It then took me a whole to get around to writing it due to other projects, but it was the teenage pregnancy idea that really sparked off the rest of it. That, and always wanting to explore Leon’s character more. He is the villain of the first book and I always feel like villains have a story to tell. How did they become that way, for example? Are they capable of redemption? So I felt like he deserved a story. 

How has your writing style or approach changed in the past ten years? 

A. It’s probably the same! I still start with loose ideas in my head that eventually end up as notes in a notebook which I’ll then add to whenever I get more ideas. Eventually there will be enough plot to get started so that’s what I do. I rarely plan the whole book in advance, but I always know what’s going to happen for the next few chapters at least. I’m probably better at self-editing and being ruthless with the word count though. I think I am better at that now.

Did you always plan to write a sequel, or was there a moment when you knew this story wasn’t finished? 

A. I didn’t plan a sequel at the time, no. It was years later that I got the idea for the teenage pregnancy and the rest grew from there. Plus, Lou is like a lot of my characters. She would chat to me from time to time. I’d tune into her and wonder how life was going. If that keeps happening, it starts to feel like a sequel is inevitable.

What challenges did you face in reconnecting with the characters and world after so much time?

A.I reread the first book before I started the sequel. I then revamped and republished it! That pretty much gave me what I needed to pick those characters up again. Plus, they had never really left me, so it was not hard to tune into them for the sequel. As for the world, these books are part of a bigger inter-connected universe of books and I was still writing books in that universe, so again, it was not challenging to reconnect with it. It was a pleasure! I know them all so well it felt like coming home.

Were there any major plot points or character arcs that surprised you while writing the sequel?

A. No, I always had it in mind that Leon would come out of prison and Lou and Joe would have to deal with that. Would Joe want to see him, for example? Would he want to forgive him? What would Leon be like now? Worse, or a reformed character? I was really curious about that and really excited to further explore Leon’s character and back story. Parts of the plot revealed themselves to be as I wrote it, but it all felt natural so I just went with the flow.

How do you think readers’ perceptions of the first book will shape their experience of the sequel?

A.I hope they like it! A few people have read it without reading the first one so I have every confidence it also works as a standalone, but I really hope readers of the first book enjoy it too! There were a few readers that often mentioned it was their favourite book of mine and they’d love a sequel, so in some ways I had them in mind while writing it. I expect they’ll know what’s coming in terms of the gritty storylines and references to eating disorders, self-harm and drugs. They’ll also know it’s another diary style format.

Have your own life experiences over the last decade influenced the themes or direction of this book?

A.Yes. To be honest, Lou is the character most based on me. I have suffered with eating disorders in the past and the truth is, they never really go away. They follow you about and haunt you and wait for opportunities to take control again. They’re like little voices in your head that want to convince you to trust them, that they can make everything all right again. I’m much older than I was when I had these issues, but as Lou finds out in The Mess of Us, often when things go wrong, those little voices come back. So you have to be wary and careful. You can’t let your guard down.  Forms of self-harm can be addictive and can be coping strategies you come to rely on. I have also experienced a miscarriage, which is another hard-hitting storyline in the book. That part was very hard to write but I hope I did it justice. 

What kind of balance did you try to strike between nostalgia for longtime fans and accessibility for new readers?

A.That was the aim, to give readers of the first book a sequel they would enjoy and let them find out what happened next, but also write a book new readers could enjoy on its own. That meant Lou and the other characters had to sometimes mention or explain what had happened previously, but you have to be careful not to make it boring or repetitive for the original readers, so it is hard!

If you could go back and change anything about the first book, would you?

A.I would probably make it shorter!

Do you see this sequel as the end of the story, or is there potential for more in the future?

A.It’s the end of the story for Lou and Joe, as far as I know anyway! But it is not the end of the story for Leon. He will be back in a new book towards the end of the year. We will finally have his point of view and his full story. The book will be called The Dark Finds You and I’d describe it as a crime thriller. It is also a crossover book which will be enjoyable to anyone who has read the books in the shared universe. If you’ve read The Holds End trilogy, The Boy With The Thorn In His Side series, Elliot Pie’s Guide To Human Nature or The Mess Of Me and The Mess Of Us, you will find characters from all those books returning!

Thank you, Chantelle!

The Mess of Us is one book in a connected universe made up of various series penned by Atkins. You can grab your copy of The Mess of Us by clicking here.

Or start the journey from the beginning today with the groundbreaking 2016 novel, The Mess of Me.

Four Ways Writers Get Stuck and Four Solutions For Getting Unstuck

How To Get Past Writers Block

Writer’s block is something most writers experience at some time or another and it is something that writers tend to dread. I’m not a fan of the phrase ‘writer’s block’ because there is something about it that sounds so hard and final, like a literal brick wall. I prefer to think of it as simply being ‘stuck’. And writers get stuck all the time and for many different and complex reasons. Here are just a handful of ways writers can get stuck along with tips to get unstuck again!

Image by www_slon_pics from Pixabay

1.Plot Stuck #1- one of the most common and one of the hardest to get through. There are a number of ways you can get stuck when it comes to your overall plot and we will discuss two of them here. The first is the most frustrating and it happens to me a lot. You know exactly what you want to happen in your plot because you have planned it all out, created your character bios and maybe even written all your chapter outlines. You know what is going to happen, so it should be simple, right? Nope. The most frustrating thing about writing a story or a novel can be knowing what you want to happen but not knowing how to do it. I think one of the reasons we feel like this sometimes is a lack of confidence in our writing. We have a good idea, a solid plot but think maybe someone else could write it better. That’s not usually the case. You just have to accept it’s going to be hard work and a long slog to get it right. Eventually, you will bring in beta readers and editors to help point out where things could be improved and believe me, as further drafts are written and rewritten, you will eventually figure out the best way forward. Writing is largely rewriting after all!

The Solution – sadly there is no easy fix for this problem. It may involve lots of long walks and time spent thinking about your plot and how to move things forward. Sometimes the answers come when you least expect it. It may mean you have to go back to your chapter outlines and remind yourself of the plot, perhaps inspiring a way forward. Sometimes you just have to write it anyway. Put the characters where they need to be, write the dialogue, advance the story and worry about fixing it later. When you know what to do but not how to do it, the important thing is to just push through and get it done. It will probably be ugly and clumsy and you may very well figure out a better way to do it later on but don’t let that stop you.

2. Plot Stuck #2 – This is when you simply don’t know what to do next. This mostly happens to writers who don’t plan or outline their stories before they start. There is nothing wrong with that approach at all. It can be really fun and invigorating to just start writing and see where the story and the characters take you. But it does increase the risk of getting stuck eventually. You run out of steam. The plot trails away or misbehaves. You don’t know what these characters are doing. You’ve run out of ideas. It can be really scary to feel this way and many writers will give up at this point and start something else, but there is a way to solve it!

The Solution – Sometimes the only way to solve this one is to embrace planning and plotting. Go back to the start and remind yourself why you wanted to write this story, what the driving idea or concept was. Remind yourself of any important themes you wanted to explore. Take a look at your characters. Are they developed enough? Maybe they need more work to bring them to life, which again means giving in and embracing some planning. If this fails, there are other things you can try. I am a strong believer that taking long walks in nature dislodges ideas in our brains. Any time I have every been stuck with a book or a story, I have usually found the solution during a walk with my dogs. Some people find taking a long bath or shower can help or maybe another immersive task such as gardening or cleaning. Get away from the screen or the notebook and do something else for a while. Another thing worth trying is asking other people. Ask your friends and family or even people online what they think about your plot so far. This has also worked well for me in the past. I’ve often used a family member for a sounding board of everything that is annoying me with my work in progress. Often they will mention a few things or suggest something that actually really makes sense. Don’t be scared to ask for help or find inspiration around you.

3. The elusive ‘right’ words – another really common one and one I can sympathise with. Sometimes you’ve got everything else in place – the characters are fully formed, the plot is advancing well and you know what to do but then words and phrases start to elude you. When writing a first draft we want to get it right, it’s only human nature to want to try our best and achieve something good first time around. The words hide from us and its like we are looking for those perfect, right words to make our sentence really fly off the page, and they just won’t come. I hate it when this happens as it can really disrupt a good flow of writing. It’s a case of partly knowing what to say but not how to say it and partly being a bit of a perfectionist who wants to get it right first time.

The Solution – You can try some practical things like asking for help, consulting a thesaurus or dictionary or bringing in a beta reader or fellow writer to help you find the ‘right’ words. Or you can do what I do…use the words you have and move on. At some point you will come back to this passage and rewrite it. As we have already established, writing is mostly rewriting! Sometimes we just have to write the best sentence we can at that moment, shrug it off as imperfect but at least done, and move on. Remind yourself that you will come back later to fix it and more than likely the right words will be there as if by magic!

4. Not Enjoying It Stuck – Sometimes we get stuck because something is wrong. It may be a mix of all the things mentioned above or it may be something bigger. As writers, when we have already committed many hours to a story we are sometimes reluctant to admit it is just not working. I recently experienced this. I was writing a book, dedicating myself to a chapter every night, but it felt very forced. I was forcing myself to do it and that didn’t feel right to me, because writing should be fun! It took me a while but I finally figured out what the problem was, and yes it is going to involve a heck of a lot of rewriting but I am not stuck anymore! I had to admit what was wrong and set about fixing it. If you are not enjoying your writing, you will continue to get stuck or blocked so you need to work out what the problem is.

The Solution – Don’t give up. Don’t bin it just yet! You might need a break from it, in which case put it somewhere safe and come back to it another time. Write something else. Write a short story or a blog post or a poem. Give your frazzled mind a break from what has been frustrating it. This can work because if the idea is strong enough it will eventually push back through. But also, you need to figure out and admit what is wrong with it. Very often it lies with the characters. Perhaps they are not strong enough, not believable enough or developed enough. Go back to scratch with them and put more work into developing them into real people with flaws, quirks, wants, needs, mannerisms and back stories. Sometimes it might be the point of view. Try switching from third to first person or vice versa. Sometimes it might be the tense. Try it in present tense if it’s in past, and so on. Sometimes it is the audience – did you set out to write a thriller or a mystery or a romance? If you did, the chances are all the other books in that genre are sitting on your shoulder watching and adding pressure, along with the perceived tropes and expected elements of that genre. It is useful to know your audience before you write, but it can also sully the writing and make it feel like you are writing to order. Write for yourself first and foremost. Write the book you would like to read. This will bring the enjoyment back and you can figure out the rest later!

Over to you! Have you ever experienced writer’s block and if so, what was it like for you? In what ways do you tend to get stuck with your writing and have you figured out a way to get unstuck?

We hope you have enjoyed our post about writer’s block or being ‘stuck’ and have found the tips useful. If you have anything to share or add, please feel free to leave a comment!

How Do You Write A Book?

by Chantelle Atkins

Image by Peter Olexa from Pixabay

A question we often get asked at writing clubs or workshops is how do you write a book? Often someone will have a good idea for a story, and possibly some characters developing but are unsure where to go from there. It’s an intriguing question and one I personally love to talk about so we figured it would make an interesting blog post. It’s different for everyone and if you research how to write a novel you will find a mountain of advice, tips and strategies to use online. Not every approach will work for you. Part of the fun of writing is working out what suits you and your idea. So this is mine. This is how I write a book.

  1. Start with an idea – This is the most important ingredient. You need a solid idea OR a character. For some people the plot comes first and then they have to create and develop characters to go with it, and for others, it’s the characters they think up first. Either is fine and you might find it works differently each time. For me personally it is usually the characters that come first. They will start to develop in my mind and as their personality comes alive, they will start to suggest their back story and their main story and the plot will start to grow from that. Sometimes it works the other way around and I will get an idea for a story first and then have to devise the characters to fit it.
  2. Let it grow – To start with, I let the idea percolate in my mind for a bit. I write down anything I don’t want to forget, but most of it stays in my head. It will swirl around in there for a while, popping up when I least expect it, developing and swelling and growing tendrils! I think it’s important to let this process take its course. I don’t want to force anything. Usually I will already be working on another project so there is no hurry to jump to this new idea. I leave it be and let it grow naturally.
  3. Get a notebook – Now, when the real ideas start to flow, and by this I mean characters, personalities, back stories and possible plots and storylines, it becomes too much to contain in my head. I must start writing things down or something will get lost. I might start off tapping a few thoughts into my phone but eventually I get a new notebook and dedicate it solely to this idea. I start off writing down any notes I already have and everything else that has been growing in my head. Character bios, dialogue, action scenes, possible titles, character arcs, possible endings and so on. It won’t be a full plot yet and the characters will not be fully alive either, but I am paying attention to this idea now. It has its very own notebook.
  4. Work on characters – For me, the characters are always the most important aspect of books I read and books I write. It’s different for everyone, but I want to love the characters, feel fully engaged by them, root for them and care for them. I can’t enjoy a book if I don’t care about the characters and equally I can’t write a book if I am not fully in love with these people I am creating. So, I will start to write detailed character bios into the notebook. They might start with the basics: name, age, physical appearance, occupation, home, family etc and then they will get more complex. What do they want? Who do they love? Have they been hurt? What are their regrets? What are their flaws? I want to get under their skin and know them inside out. This will be a long process and I won’t fully know them until maybe draft three, but I want to put the work in now.
  5. Write a basic plot outline – This will start as a kind of mind-map of possible ideas. Ideas tend to spark of other ideas or questions, so I will note this all down. It all goes in the notebook. It’ll be messy and chaotic but it is all safely in one place. I’ll also bullet point what I consider to be the main storyline and jot down any ideas for sub-plots and character development. Most of my books are quite character driven so developing the characters alongside the plot is important to me.
  6. Write basic chapter outlines – I won’t usually know everything that is going to happen but I will outline as many chapters as I can in the notebook so that I have a starting point and something to refer back to. Inevitably, extra, unexpected chapters and scenes will work their way in between what I initially lay out and once I get past a certain point I will probably then know the next few chapters. I then work a few chapters ahead, so I will usually always know what I want to happen in the next few chapters at least.
  7. Start writing! – The fun bit. Also the scary bit! But by now I will be desperate to get going. If I have been working on another book, this idea may have had to wait for a while so by the time I get to it, I am very keen and excited to get started. I won’t know exactly where I am going and I don’t plan or plot every detail. I like to see what happens to a certain extent.
  8. Write a chapter a night – Obviously, life gets in the way sometimes and sometimes the writing just doesn’t flow but my goal is always a chapter a night. That’s roughly 2-3 pages of a Word document. I treat it like work, like a commitment and push through the tough bits and the bits that don’t flow too well and I just keep going. I don’t mind how messy or awkward the first draft is, I just aim to get the gist of it, the basics of it done. This usually takes three months.
  9. Second draft – I read it through, reminding myself of what I have done. I amend glaring typos but I don’t really edit much on a second draft, it’s more of a read through to see what I have got.
  10. Third draft – a more serious read through and edit. I add bits, delete bits, amend typos and errors. I will know the characters better by now so might add bits to them, their speech, their back story and so on.
  11. Fourth draft – I keep a list as I read through and edit and make notes of bigger things to fix like plot holes or inconsistencies in character or storyline. Whenever I go over another draft I check off these things on the list until there is nothing left.
  12. Fifth draft Kindle read – by now I feel like I can’t do much more, so I send it to my Kindle and read it on there. It’s amazing how many typos and errors are picked up when you read your book on an ereader! You feel a bit less connected to it and can tackle it in a different way. I keep the notebook handy as I read and write down notes for each chapter in turn, typos, grammatical errors, plot holes, questions, anything.
  13. Sixth draft – back to the laptop to amend the edits picked up on the kindle read
  14. Beta readers – I am very lucky that I have some fantastic people available to read my work at this stage and tell me what they think. I might want specific feedback ie is it fast paced enough, is this character interesting enough etc, or I might just hand it over and say very little.
  15. Seventh draft – editing based on beta reader feedback
  16. Send to editor/proofreader
  17. Eight draft/final – amend anything they picked up and that’s it. Done!

The amount of drafts will very much depend on the type of story, the length of the book and the feedback from beta readers. Sometimes my first draft attempt will evolve into something very, very different and sometimes it basically stays the same!

Feel free to add your thoughts on how to write a book. Everyone has a different process and there is no correct way to do it.

Writing – A Fail Safe Cure for Loneliness

I am never just me and I am never alone

Image by Markus Winkler from Pixabay

I have the cure for loneliness. And it works.

The cure for loneliness is writing.

But, I hear you protest, isn’t that a solitary pursuit? An activity for introverts and loners? Won’t that just make it worse?

No, and I’ll tell you why.

I remember standing outside school when I was about four or five, trying to understand why I was only me. Why my thoughts and feelings were limited to just mine. I looked at my friends and my mother, and stared into their eyes and realised I could not climb into their heads and become them, I could not occupy the space behind their eyes and see the world as they did. I vividly remember thinking how amazing, strange and sad this was.

But I soon found out that this does not really apply to writers. If you are a writer, you are not limited to being just one person or living just one life. As a writer, I discovered that I was never just me, and I was also, never, ever alone.

When I started to write stories, they were about animals, lost and neglected, looking for love and embarkiing on adventures. I became them. I was them just as much as I was Chantelle. I had to quieten them and hide them when people asked something from me. I had to climb back out of their minds and fully inhabit mine. But I would try to get away with not doing this in full. I’d be eating my dinner, sniffing the air, sure I had picked up the scent of trouble, my eyes darting from side to side, planning an escape. I wasn’t just me. And then when dinner was over, the stories would continue and I would slip back into character.

Throughout my life, I have been all the people I have written about. I have not simply created them, written their stories and then cast them aside. It doesn’t work like that at all. These people come to me, somehow, for some reason. They start off small and grow bigger and bigger, louder, more complex, more real. They are all from me. It blows my mind. It’s like they find me and ask me to tell their story, but that’s not really it. Somehow, they come out of me, because they are me.

And then I am them. I become them in order to write their story, in order to feel what they feel, and do what they do. I think about them so much, picture them, hear them, study them. I lie awake at night, and they are there. Characters from books already written, and characters still developing in my head for future books.

When I least expect it, they pop up and start talking or arguing. They are helping me to write the book. I learn new things about them every day. I will be washing up or making dinner, and suddenly there they are. Because of these people, I am never, ever lonely. I don’t know what it feels like to be bored or alone. Because of them, I don’t know how to have just one train of thought in my head. I don’t know how to have a quiet mind.

Yet, to those that know me, I am often described as quiet.

Sometimes I think the people in my head are the best thing about being a writer. Creating worlds and weaving plots, sharing your work with readers, getting reviews, these are all fantastic, magical things, but being more than one person who is never, ever alone, has to be the best and maybe the most unexpected.

My advice to anyone feeling lonely is to write.

 Don’t overthink it. Don’t write for anyone else. Don’t write to get rich or famous. Don’t let anyone stop you. Ignore the naysayers and their frowns of doubt. Write whatever you want. Bend the rules. Break the rules. Make up your own goddamn rules. Write for fun, for frivolity, for yourself, write as if no one is looking over your shoulder. Let it out, whatever it is. Release. Feel better.

How can you ever be lonely again? You can weave words and create worlds. You can listen to the voices in your head then allow them to live, to be alive just like you! You can create whoever and whatever you like.

You will never be lonely now. You have a head full of ideas. Everywhere you go new ones will pop up. Everything you see, hear, smell, taste and touch will become writing material. Conversations, eavesdropping, people-watching — these are your new hobbies! Everywhere you go there is possible content. Stories are everywhere. Everything is a story.

But that is not all. You’re feeling less lonely now but it can go further. To finally cure your loneliness for good, you have to share your words with the world. Release the stories and the poems, the thoughts and the dreams, the hopes and fears, the people you created, the worlds you invented. Share them, spread them, set them free and you will never be lonely again.

And it doesn’t even end there.

There is no need for loneliness as a writer. You can collaborate with others. Share ideas. Throw them around. Join writing groups. Read and support other writers. Share in their journey, give and take, feedback and congratulate, support and take pride in their success too.

You are not alone. You never were.

Written by Chantelle Atkins and previously published on Medium. Chantelle’s latest release, The Mess Of Us can be preordered on Amazon now!