Read on for an exclusive interview with Steven Smith!

As captain of the airship Arcos, Edison Crow and his childhood partner in crime, Selah, lead their crew in search of a big payday. When it comes to the pursuit of wealth, nothing is out of the question for this band of charming rogues. Smuggling. Theft. Embezzlement. It’s all part of a daring game.
But all is not smooth sailing when you’re a high profile thief with a target on your back. A job gone wrong will thrust Edison, Selah and those aboard the Arcos upon a journey straight to the heart of the shady United Republic of the High Commission in pursuit of the truth.
Troubled by his own personal demons, Edison must navigate dark skies if he hopes to gain answers. Will it be enough to help the infamous Captain Crow clear his and his crew’s names? Or will he end up Chasing Shadows?
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1 – Your debut novel is described as an epic steampunk adventure – what drew you to this genre in particular for your first novel?
I actually started out writing a novel with my re-imagining of the story of Jack the Ripper. I’ve always loved Victoriana and that era. It always struck me as a time of great change, both socially and technologically. I did struggle with the weight of fact and trying to get all of that down as accurately as possible. It ultimately led me to give up.
But steampunk, now that was a different situation. It’s also something I’ve always loved – it allowed me to indulge my love of Victoriana with the creative ability to create a vibrant world filled with wonderous technological advances. Once I started writing it had me fully hooked.
2 – You’ve released a follow-up book. What else can we expect from these books? How long will the series be?
So book two, As the Crow Flies is very much a direct continuation of Chasing Shadows. It continues with the mystery that the first book introduced. Many of the central characters from the first book make an appearance in this second outing, along with some new faces.
A third book is in the works as we speak – A Murder of Crows. There’s a larger part for some of the new characters this time out. I don’t want to give too much away, but it relates back to events in As the Crow Flies.
I’ve also dabbled with short stories, with quite a few set in the same universe as these novels. I’m planning to collect them together into a further book. As for what comes beyond that? I don’t yet know but I can see ways that there can be further books and spin offs within the same world.
3 – What would you say are the pros and the cons of writing a series?
The pros are that I get to see a world grow and evolve. Characters and locations develop and expand. It’s a wonderful experience. It allows me to explore beyond the boundaries of a single story, but still within the same world. Small, inconsequential characters or events could become stories in their own right, and I love that.
As for the cons – it can be quite tough to see beyond it. I struggle sometimes to come up with ideas that aren’t tied to my series, despite my desire to explore new ideas and genres. It is certainly achievable, but just takes a lot more effort.
4. Are there any other genres you are drawn to and can we expect any writing in the future from different genres?
Such a fantastic follow on from the previous question. Horror has always been a favourite genre of books and films for me. From Stephen King to the classics like Lovecraft and Poe, there is something about the world of horror that always draws me in. I’ve dabbled in it for short stories, but would love to write something more substantial in time and given the right ideas.
I also love crime. I’m working on a crime novel with the killings tied to The Twelve Days of Christmas. It’s still in the very early stages but it’s something different, and something fun for me.
In addition to these, I’ve been a fan of fantasy too, so I’d certainly consider playing in that space, though I’d love the time and headspace to really build this out properly.
5. Who is your favourite character from your books and why?
I’m going to cheat on this question a little and name two – Edison Crow and Selah. I think to some extent both of them represent different parts of me. And I love the way the pair of them as characters complement each other. On their own both are strong and independent, but together they can be quite formidable. But equally, the pair are flawed, and imperfect. But they accept that and learn to work with it.
6. What would you say are the best and the worst bits about being a indie author so far?
First up, the worst. All of the promo, marketing and sales is down to me. I’m not great at that, and I have a lot to learn, but being indie means I have no huge marketing machine or bottomless budget to do everything that’s needed to fully promote my book to the standard it deserves.
On the positive side, I get to do my thing my way. The books that stand the greatest chance of success are the books that have mass appeal. Pulp fiction for want of a better word. I would LOVE that level of success, but I also know what I want to write. And that is the sort of thing I want to read. I write what I want to read, and by not being beholden to contracts with an expectation of commercial success, I get to do just that. And with full and complete creative control.
7. Describe your process to us. Is it concept and genre first, or do the characters come first, for example? How do you get from idea in your head to finished book?
With Chasing Shadows, I heard snatches of a conversation in my mind, and only from one character. Then, with time, I saw the other side of the same conversation. And from there it grew. I saw what was going on around them, where they were and what they were doing. From there the ideas grew and I got them down on paper. I had no say or driving force over any of it, I was very much a passenger along for the ride.
With book two and three, things were rather different – I had the ideas and realised they weren’t going to fit into the book I was writing at the time, they needed space to breath.
I don’t edit until the end, otherwise I’ll never get anything written. Then I read through and make edits over many rounds. Then there’s text to speech, where I can have my stories read to me. Eventually, when I cannot do any more, it goes off to test readers. I take their advice on board, and run a number of rounds of edits after that. Then a final read with a test reader and one more chance for me to button down any lingering niggles.
Then it’s formatting and putting the files together. Usually somewhere down the road I will have already done my cover design when the inspiration hits.
8. Do you read much in the steampunk genre yourself and if so, what would you recommend?
I’ve actually read surprisingly little to date. One of my biggest supporters and good friends has been fellow author Richard Dee. He has been a massive support. He’s also a brilliant author. My experience of steampunk thus far has been through reading his Orphan Detective series. I also have his Horace Strongman series to read. I would highly recommend his work, and not just the steampunk books.
9. Who are your favourite authors? Who do you think has influenced you?
I’m going to get the controversial pick out of the way and somewhat spin this. I really enjoy the Harry Potter books. I want to make it clear I do not approve of or support the views of the author, but the books have held a special place for me, and I really connect with them.
Moving on – Stephen King. That man is prolific in the volume of books he writes, but also the characters he creates and the worlds he builds. His books are filled with descriptive writing that I know a great many readers struggle with. I find myself writing in a way not dissimilar and I don’t hate that. Plus, he is so much more than just the horror and supernatural stuff that he is most known for. I cannot speak more highly of The Dark Tower series. It’s a western sci-fi fusion that ties so many of his other works into a single universe, and they are just incredible.
Finally, it would be remiss of me to mention Terry Pratchett. I was a latecomer to The Discworld series. I believed them to be fantasy books for children. And I have never been happier to be proven wrong. Yes, they are fantasy. But they are filled with cynicism, with, humour and sarcasm that only those of us who are little further down the path will get. They are wonderful books, and I will always be sad that there won’t be another new book from him.
10. What are your long-term goals for your writing?
I could say to earn Stephen King levels of fame, celebrity and money. But that’s wholly unrealistic. What I enjoy most is writing stories I am proud of and would want to read. I want to keep doing that. And if along the way someone reads my books and genuinely likes them, well then that’s something I’ll never take for granted.
11. What are you working on right now?
There are three main projects on the go. A Murder of Crows is the third book in my series. At the moment, that one is the last in the series, but it may not stay that way if the ideas are there.
Then there is The Twelve Days of Christmas, my festive crime thriller. I am looking forward to seeing where that one goes.
The third is a collection of short stories that are set in the world of my steampunk novels. Some feature characters already seen in my books, and some that are completely unknown.
In addition, I do have a few more ideas for projects but they are not yet far enough along for me to discuss. What I will say is if they come off, they will be wildly different from a traditional novel.
12. How do you deal with typical writers problems such as writers block, imposter syndrome, procrastination and self-doubt?
I’ve suffered all of these at varying times – imposter syndrome and self-doubt more than the others. It’s tough, and can feel debilitating. With my first effort at writing, I tried to forcibly push through them. It was like walking through molasses – a hard slog with added pressure which is something I really didn’t need at that time.
Now, I’ve come to realise what I need to do. Step back and take a break. If things are inhibiting my ability to write with freedom and flow, then I need to step back. Take a break. Just stop writing. Rather than push on through, do other things to take my mind off of the writing until the blocks ease and I find my drive return. It’s happened many times throughout my time writing, and it’ll happen again, but I know what I need to do to get things back on track.
Thanks for dropping by, Steven!
If you would like to find out more about Steven’s books and keep up to date with his writing news, you can follow him here:
Website: https://authorstevensmith.co.uk/
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Instagram: https://www.instagram.com/stevensmithauthor/

